If you bonk a dash of weirdness and naut mi - a - second storytelling , then you ’ve never break sleep together the novel of Brian Aldiss . But anybody who ’s slept on Aldiss ’ dizzying committal to writing is go to get a fresh prospect to appreciate the superior , who ’s believably considerably known for writing the story that became Spielberg and Kubrick ’s A.I.
There are two exciting pieces of Aldiss news in the preceding couple days . First , E - Reads , a publishing company that focuses on backlist claim , announce it bought the U.S. mark and electric rightsto 15 Aldiss titles , including Greybeard , galaxy Like Grains of Sand and the Helliconia series . And the publisher has the selection to pick up Aldiss ’ entire backlist in the future .
Plus Aldiss has a new novel number out — his first since 2007 ’s Harm . It ’s call Finches of Mars , and E - Reads also has the rights to print it .
Secondly , Aldissdonated his personal archive to the Bodleian Library , and the Library is publishing a record book of 12 “ personal and revealing ” essay call An Exile on Planet Earth to celebrate . Aldiss has also lately had an exposition of his art at Oxford’sJam Factory . And according to the Oxford Mail , he ’s working on another new novel , Shades and Silences ( could this be the same as Finches of Mars ? ) and a new short news report called “ All the Planets of the Zodiac . ”
Let ’s hope all this newfangled ( and republish ) Aldiss cloth leads to a revivification of pursuit in his employment .
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